Artwork Details
49-1/8 x 38-7/8 in. (canvas) 56-7/8 x 46-9/16 x 3 in. (framed, not glazed)
Mark DescriptionInscribed lower left (on image of document under figure's left hand) in black paint: Jusepe de Ribera español | F. 1637 [numerals underlined]
Accession NumberThe Clowes Collection
CopyrightEuropean Painting and Sculpture Before 1800
Color PaletteProvenance
Provenance
Commissioned from Ribera in 1636 by Karl Eusebius von Liechtenstein [1611-1684], Schloss Feldsberg (now in Czech Republic) via his agents Lorenzo Cambi and Simone Verzone;{1} By descent within the family of the princes of Liechtenstein, Vaduz, Liechtenstein; Sold to (Newhouse Galleries, New York) in 1954;{2} G,H.A. Clowes [1877-1958], Indianapolis, in 1955; Clowes Fund Collection, Indianapolis, since 1958; On long-term loan to the Indianapolis Museum of Art since 1971 (C10066); Given to the Indianapolis Museum of Art, now the Indianapolis Museum of Art at Newfields, in 2000 (2000.345). ------- {1} In 1983 Eduardo Nappi, in his article ”Pittori del ‘600 a Napoli: Notizie inedited dai documenti dell’Archivio storico del Banco di Napoli,” in Ricerche sul ‘600 napoletano, Milan 1983, pp. 73-87, published information documenting Ribera’s commission which he had located in the archives of the Banco dello Spirito Santo, Naples. See also, Craig Felton, “Ribera’s ‘Philosophers’ for the Prince of Liechtenstein, The Burlington Magazine, volume 128, no. 1004 (November 1986): pp. 785-789 who, following Nappi, transcribes the archival notation as: Banco dello Spirito Santo, giornale del 1636, matr. 270, partita di ducati 100, estinta il 7 maggio. A Lorenzo Cambi e Simone Verzone D. 100. E per lui a Gioseppe de Ribera, dite se li pagano per ordine del conte Carlo Felesbergh et esserno in conto di D. 500 per il valore di dodici quadri d’altezza e di palmi cinque e palmi quattro di larghezza in ognuno dei qualci ci ha da essere dipinto un filosofo di sua propria mano che ha pigliato a fare per servito di don Carlo Felisbergh et quelli han da consegnare a loro fra sei mesi et mancando de consignare debbia restituire tutto il denaro ad ogni loro piacere. The prince is identified here as “Carlo Felesbergh.” Until then, the first source documenting a Liechtenstein provenance for the Ribera painting of Aristotle dated from 1767; see Vincenzio Fanti, Descrizzione Completa di tutto ciò che ritrovasi nella galleria di pittura e scultura di sua altezza Giuseppe Wenceslau del S.R.I. principe regnant della casa di Lichtenstein, Vienna, 1767, p. 105, catalogue no. 531. {2} See IMA Clowes Registration Archive, Newhouse Galleries correspondence, letter from Clyde Newhouse to GHAC, dated 22 November 1955, containing some information on this painting. Paintings from the collection of the princes of Liechtenstein were dispersed in 1954, including several of Ribera’s philosophers. Other paintings from this collection went to the National Gallery in Ottawa, Canada, in the same year; see “Canada acquires paintings from one of Europe’s noted collections,” Canadian Art, volume XI, no. 4 (summer 1954): pp. 142-144.
Gallery Labels
Gallery Labels
Ribera's image of Aristotle is one of six imaginary portraits of ancient philosophers commissioned in 1636 by the prince of Liechtenstein. The artist's conception of Aristotle as an ordinary man wearing a scholar's skullcap and a ragged robe, a "beggar philosopher," is a type that enjoyed great popularity in the 17th century. Ribera's direct, naturalistic style and his dramatic use of light, both of which derive from Caravaggio, combine to create a powerful evocation of a philosopher deep in thought.
"In poverty and naked goes Philosophy," the masses bent on making money say."
-Petrarch, Canzoniere, about 1373-74
Exhibition History
Exhibition History
Exhibition Name
Venue
Dates
Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields
Chengdu Museum
September 28, 2020 - January 4, 2021
Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields
Chengdu Museum
September 29, 2020 - January 4, 2021
Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields
Hunan Provincial Museum
May 29, 2020 - September 13, 2020
Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields
Hunan Provincial Museum
May 29, 2020 - September 13, 2020
Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields
Guandong Museum
January 10, 2020 - May 17, 2020
Rembrandt to Monet: 500 Years of European Painting from the Clowes Collection and the Indianapolis Museum of Art at Newfields
Guandong Museum
January 10, 2020 - May 17, 2020
Between Heaven and Hell: The Drawings of Jusepe de Ribera
Meadows Museum, Southern Methodist University
March 12, 2017 - June 11, 2017
Velazquez - Ribera. Curieux Philosophers
Musée des Beaux-Arts, Rouen
November 16, 2005 - February 20, 2006
Jusepe de Ribera: 1591-1652
Metropolitan Museum of Art
September 16, 1992 - November 22, 1992
The Tangible World of the Spirit: The Paintings of Jusepe de Ribera
Kimball Art Museum
December 4, 1982 - February 6, 1983
Legacy of Spain
San Diego Museum of Art
January 2, 1969 - March 4, 1969
El Greco to Goya
Rhode Island School of Design
April 19, 1963 - May 26, 1963
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