Licensing Resources
The House of the Deaf Woman and the Belfry at Eragny (La Maison de la Sourde et Le Clocher d'Eragny)
1886
2002.76
On display in H206
Artwork Details
25-11/16 x 32 in. (canvas) 37-1/4 x 43-1/2 x 2-1/2 in. (framed, glazed)
Mark DescriptionSigned and dated, in red, lower left: C. Pissarro. 1886
Accession NumberAnonymous
CopyrightEuropean Painting and Sculpture 1800-1945
Color PaletteProvenance
Provenance
Bought from the artist by (Durand-Ruel, Paris, France) on 05 October 1886; (Duval-Fleury, Paris) on 25 March 1918.{1} Possibly in the collection of Wilhelm Hansen [1868-1936], Ordrupgaard, near Copenhagen, Denmark.{2} Private collection, Paris and Belgium, from about 1920 until 2002; sold through (Galerie Daniel Malingue, Paris); purchased by the Indianapolis Museum of Art in 2002. {1} Joachim Pissarro, Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, volume 3, Milan: Wildenstein Institute, 2005, p. 543. This information is based on material in the Durand-Ruel archives in Paris, and was also supplied to the IMA in correspondence with Claire Durand-Ruel Snollaerts between April and September 2002. {2} Hansen was a prominent collector of French painting and a business partner of Emile Duval-Fleury. On their connections see Haavard Rostrup, “Wilhelm Hansen et sa collection de tableaux impressionnistes du Museé d’Ordrupgaard,” Gazette des Beaux-Arts, no.1358, volume 99 (March 1982), pp.101-108, especially p. 104, and the essay by Anne-Birgitte Fonsmark, "Ordrupgaard: The collection of Wilhelm Hansen and his wife Henny Hansen” in the exhibition catalogue The Age of Impressionism: European Paintings from Ordrupgaard Copenhagen, The Walters Art Museum, 2002, pp. 8-23, especially p. 13. The catalogue of Hansen’s collection by Karl Madsen, Katalog over Wilhelm Hansen’s Samling: Fransk Malerkunst, Ordrupgaard 1918, lists 8 paintings by Pissarro, but none matching this title, description or date.
Gallery Labels
Gallery Labels
In 1885 Impressionist Camille Pissarro adopted Seurat's revolutionary new methods. The patterns of sunlight and shadow in this landscape demonstrate his deft division of warm and cool hues and use of lively dotted strokes. Its quality and size make this rare canvas a key example of Neo-Impressionism.
Set in the yard of Pissarro's home in Normandy, the vista shows the steeple of the parish church rising beyond his neighbor's brick house.
The frame was reproduced according to Pissarro's specifications, blending his preference for white versus his dealer's demand for gold.
Exhibition History
Exhibition History
Exhibition Name
Venue
Dates
Camille Pissarro, Le Premier des Impressionistes
Musée Marmottan Monet
February 23, 2017 - July 16, 2017
Tableaux, Dessins et Sculptures de l'Ecole Francaise du XIX Siecle
Musée d'Art et d'Histoire Geneva / Musée Rath
May 16, 1918 - June 15, 1918
Fransk Malerkunst
1918 - 1918
Franzosische Impressionisten
Dates Unknown
Fransk Malerkunst
Dates Unknown
Exposition Internationale de Peinture et de Sculpture
May 8, 1887 - June 8, 1887
Quatrieme Exposition Annuelle des XX
February 5, 1887 - March 6, 1887
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