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The Mirror in the Green Room (La Glace de la Chambre Verte)

1908

Pierre Bonnard (French, 1867–1947)

38.84

On display in H200

oil paintcardboardpainting

Artwork Details

ArtistCreation Date
1908
Creation Location
France
Materials
oil on paperboard
Object Types
paintings, oil paintings
Dimensions

19-3/4 x 25-3/4 in. (sheet) 26-7/8 x 33-1/8 x 1-9/16 in. (framed, glazed)

Mark Description

Signed in light blue oil paint upper left: BONNARD Inscribed date in olive-green oil paint upper left and thought to be added some time after the painting was executed in 1908: Janvier | 1909

Accession Number
38.84
Credit Line

James E. Roberts Fund

Copyright
Public Domain
Collection

European Painting and Sculpture 1800-1945

Color Palette

Purchased from the artist in November 1908 by (Bernheim-Jeune & Cie, Paris, France);{1} purchased by Count Harry Kessler [1868-1937], Berlin and Weimar, Germany in January 1909.{2} Dr. George Viau [1855-1939]. (Theodore Schempp, New York, New York) by 1938; sold to the John Herron Art Institute, Indianapolis, Indiana, now the Indianapolis Museum of Art at Newfields, in November 1938.{3} {1} Letter from J. and H. Dauberville of Bernheim-Jeune & Cie, Paris, France, dated 28 September 1965, stating that the painting was B-J no. 16.919, purchased from the artist on 22 November 1908. They also note that the date appearing below the artist`s signature `Janvier 1909` must have been added quite a while later (IMA Historical File). {2} Ibid. The painting can be seen hanging on the salon wall in a photograph of Kessler's Weimar home, see Sabine Walter, `Die Sammlung Harry Graf Kessler in Weimar und Berlin,` in Andrea Pophauken and Felix Billeter, Die Moderne und ihre Sammler: Französische Kunst in Deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik, Berlin 2001, p. 73. Due to financial insolvency, Kessler's distinguished collection began to be dispersed in the late 1920s, see Beatrice von Bismarck, `Harry Graf Kessler und die französische Kunst um die Jahrhundertwende,` Zeitschrift des deutschen Vereins für Kunstwissenschaft, volume 42, no. 3 (1988), p. 62. {3} IMA Temporary Receipt No. 3775.



Exhibition Name

Venue

Dates

Friedrich Nietzsche, Max Klinger and the "New Weimar"

National Gallery of Canada

April 18, 2019 - August 25, 2019

Expressionism in Germany and France: From Van Gogh to Kandinsky

Montréal Museum of Fine Arts

October 6, 2014 - January 25, 2015

Expressionism in Germany and France: From Van Gogh to Kandinsky

Los Angeles County Museum of Art

June 8, 2014 - September 14, 2014

Snapshot: Painters and Photography, Bonnard to Vuillard

Indianapolis Museum of Art

June 8, 2012 - September 2, 2012

Snapshot: Painters and Photography, Bonnard to Vuillard

The Phillips Collection

February 4, 2012 - May 6, 2012

Snapshot: Painters and Photography, Bonnard to Vuillard

The Van Gogh Museum

October 14, 2011 - January 8, 2012

Degas, Sickert and Toulouse-Lautrec: London and Paris, 1870-1910

The Phillips Collection

February 18, 2006 - May 14, 2006

Degas, Sickert and Toulouse-Lautrec: London and Paris, 1870-1910

Tate Britain

October 6, 2005 - January 5, 2006

Modern French Paintings

Allen Memorial Art Museum

November 1, 1940 - November 25, 1940

Bonnard, Oeuvres Récentes

Bernheim Jeune

February 1, 1909 - February 20, 1909


Related Content

Perspective and Gesture

Curator Ellen Lee discusses Bonnard’s interests as an artist and the choices he made regarding space and form.


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