Artwork Details
8-3/4 x 6-1/2 in. (image) 10-1/8 x 7-3/16 in. (sheet)
PeriodSigned: Hiroshige ga Censor's seal: corresponds to 1864 (Year of the Rat), 3rd month
Accession NumberGift of Mrs. Jeanne Gass Stump
CopyrightAsian Art (Japanese and Korean)
Color PaletteMrs. Jeanne Gass Stump; given to the Indianapolis Museum of Art in 2001
Contemporary Artists / Same Subject
Maisaka prospered as the 30th post town (where travelers could find a place to rest or lodge) on the Tokaido Highway. These boats are ferrying feudal lords and their retinues between the capital of Edo and their domains. In 1863, the last Tokugawa shogun, or military dictator, left Edo and traveled the great Tokaido highway to visit the emperor in Kyoto. Within five years the shogunate had fallen, the emperor had moved to Edo—which then became Tokyo—and a new age had dawned, that of the Meiji emperor (1868–1912).
In 1864 at least two large series with works by several artists featuring the Tokaido were published. Possibly commissioned by the shogunate to commemorate the 1863 journey, the artists included Hiroshige II and Yoshitoshi. Both artists here took a cue from Hiroshige’s famous Tokaido series (published 1831–34), in which he featured daimyo (lord of a domain) boats sailing from Maisaka to the neighboring post town of Arai. (See 2003.120, also in this exhibition.)
Maisaka was a fishing town in Shizuoka Prefecture just south and west of Tokyo, and it also prospered as a post station on the Tokaido Highway. In 2005 it merged with surrounding towns to become part of the city of Hamamatsu.
Exhibition Name
Venue
Dates
Pairs: Contrasts and Parallels in Japanese Prints
Indianapolis Museum of Art
September 24, 2010 - January 30, 2011
Content Disclaimer and Usage Rights
Metadata about the Indianapolis Museum of Art’s collection comes from Newfields’ records and research. In some cases, information may be incomplete and research is ongoing. Newfields’ goal is to have as up-to-date metadata as possible, therefore, this information is subject to change. Newfields collections’ metadata is available under a Creative Commons Zero (CC0) waiver, which allows for re-use without legal restrictions.
Artworks that appear in the image file(s) above may be in copyright or have other legal and/or cultural restrictions to their use. For clarity, Newfields does not claim copyright to the image files created by Newfields of artworks in the Indianapolis Museum of Art’s collection. Newfields makes every effort to ascertain the copyright status of artworks in the Indianapolis Museum of Art’s collection. Please refer to the RightsStatements.org statement above for information about the current copyright status of the artwork. Additionally, some artworks may include Local Context’s Notices or Labels that attribute cultural authority of the artwork’s heritage and data.
Additional information about Newfields’ reproduction guidelines can be found in the Licensing Resources.